Thursday, December 2, 2010

Review: Stitches


Bibliography:
Small, David. 2009. Stitches: A Memoir. W. W. Norton: New York. ISBN 9780393068573

Plot Summary:
In Stitches: A Memoir, author David Small tells the chilling story of his childhood. David’s wrenchingly dysfuctional family life is dominated by the rage of his mother and abusive grandmother, and the distance of his radiologist father. A sickly child, David’s father gives David X-Ray treatments to “cure” his sinus problems. Some years later, David develops a lump on his throat, diagnosed as a “harmless cyst”. Admitted to the hospital three and a half years later for what he has been told is minor surgery, Small wakes to find that he literally has no voice. His “minor surgery” is actually a serious procedure to remove a life-threatening tumor, during which part of his vocal cords are removed as well. As he loses his physical voice, however, Small begins to find his own inner voice, angrily lashing out at his parents for withholding the truth from him. Small leaves home at sixteen, starting a new life for himself as an artist. He returns home at the death of his mother, distraught, but strengthened in his resolve to follow his own path.


Critical Review:
David Small, best known as an illustrator and writer of children’s picture books, strikes a very different tone in his graphic novel Stitches. In Stitches, Small faces the demons of his childhood. Raw and disturbing, the book feels very much like a confession. The devastation of growing up in a loveless, at times abusive family does not make for light reading. Anger wells up on practically every page. The anger of Small’s mother (described as a “black tidal wave”), the anger of his abusive grandmother (who holds his hands under scalding hot water), and eventually the anger of Small himself toward the family that refused to give him the love and affirmation he so desperately wanted.
The central theme of Stitches is silence vs. expression. Each character in the book is, in a way, trapped in his or her own isolated hell. Small’s mother silently rages in the kitchen, slamming pots and pans while doing the dishes. His radiologist father escapes to his work at the hospital. His brother Ted retreats to the basement to play his drums. Small, himself, escapes through his artwork.
The bleak, frightening tone of the book is largely created by Small’s artwork. Faces are amazingly expressive. Mouths are tight and angry. Shadows darken characters’ features as they seethe in anger. The eyes of adults are hidden behind the reflective lenses of their glasses, giving them a soulless quality. Their inner thoughts and motivations are as inscrutable to us as they must have been to the author.
With the help of a therapist, Small slowly begins to put the pieces of his life back together. While the stitches of the title refer to the sutures on Small’s neck after surgery, they surely also refer to his attempts to repair the devastating effects of his destructive family. The end of the book gives the reader no easy happy ending. The death of Small’s mother is heartbreaking. While Small has not found complete peace, he clings to a fierce determination not to follow in his mother and grandmother’s footsteps.

Review Excerpts:

A National Book Award Finalist

ALA Great Graphic Novels

“This is not a two-dimensional caricature of an unhappy family; these people are painfully historied and complexly pictured and Small is a powerful teller of their stories.” – ForeWord (September 1, 2009)

“Some understanding is gained as family secrets are unearthed, but for the most part David fends for himself in a family that is uncommunicative to a truly ghastly degree. Small tells his story with haunting subtlety and power.” – Publishers Weekly (August 10, 2009)

“His seemingly simple black-and-white wash captures people, emotions, relationships, and plot subtleties with grace, precision, and a flawless sense of graphic narration.” – Library Journal (July 1, 2009)

“Like other important graphic works it seems destined to sit beside (think no less than Maus) this is a frequently disturbing, pitch-black funny, ultimately cathartic story whose full impact can only be delivered in the comics medium, which keeps it palatable as it reinforces its appalling aspects. If there's any fight left in the argument that comics aren't legitimate literature, this is just the thing to enlighten the naysayers.” - Booklist (July 1, 2009)

Connections:

Compare other books by Small, such as Imogene’s Antlers and Fenwick’s Suit.

Compare Craig Thompson’s graphic novel memoir Blankets.

Discuss Small’s artwork in this novel and how it contributes to the mood and the story.

Review: Speak


Bibliography:
Anderson, Laurie Halse. 1999. Speak. Penguin: New York. ISBN 0142407321

Plot Summary:
Melinda Sordino is entering high school with everything in her life wrong. After calling the police at a party over the summer, Melinda is shunned by those around her. Even her former best friend Rachel speaks to her only to mouth the words “I hate you”. No one, however, knows the truth about what happened at that party. No one, that is, except Melinda and Andy Evans, the high school senior who raped her there. Unable to deal with the horror of that night, Melinda sinks into a deep depression. Retreating further inside herself, it becomes more and more difficult for Melinda to speak, her outer silence masking inner turmoil. Surrounded by a system that punishes those who speak up, Melinda gains strength from those around her who refuse to conform to the system’s rules: principally, her lab partner Dave Petrakis and her art teacher Mr. Freeman. When Rachel begins dating Andy, Melinda is forced to find her voice and face the truth about what happened that summer night.

Critical Review:
In Speak, Laurie Halse Anderson takes the reader into the inner world of Melinda Sordino. We experience the pain that she is unable to reveal to those around her.
Through her eyes we experience the horror of rape, its devastating aftermath, and eventually hope and the beginning of healing.
In Anderson’s prose, Melinda lives and breathes; she is brutally honest, witty, and smart – usually cleverer than the adults around her. Her observations about high school life are real; cynical, and frequently hilarious.
Anderson’s book is full of symbols of new growth. As the winter cold freezes, Melinda retreats deeper inside herself, away from the hurtful world outside. Her first tentative steps to regain her life coincide with the spring’s new growth. An extended art project also reflects her inner growth. Melinda is asked to repeatedly explore one topic through the year: a tree. Her first tree is black, scarred, struck by lightning. By the end of the year, her struggling tree is coming to life: “Roots knob out of the ground and the crown reaches for the sun, tall and healthy. The new growth is the best part.”
Speak’s theme is universal - finding your voice and having the courage to let it be heard. Early in the book Melinda states “It is easier not to say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.” This theme is repeated throughout the book. Society doesn’t really want people to speak out. Characters in the book repeatedly meet opposition or hostility by doing so, in particular Melinda’s art teacher Mr. Freeman and her lab partner Dave Petrakis. These are the individuals, however, that the silenced Melinda admires the most.
When Melinda finds the strength to confront her tormentor the reader cannot help but feel empowered. There are books that have the ability to inspire, to strengthen, to even change lives. Speak is one of those books.

Review Excerpts:

A Michael L. Printz Honor Book

A National Book Award Finalist

“This powerful story has an important lesson: never be afraid to speak up for yourself” – Voice of Youth Advocates (December 1, 1999)

“This is a compelling book, with sharp, crisp writing that draws readers in, engulfing them in the story.” – School Library Journal (October 1, 1999)

“The plot is gripping and the characters are powerfully drawn, but it is its raw and unvarnished look at the dynamics of the high school experience that makes this a novel that will be hard for readers to forget.” – Kirkus Reviews (September 15, 1999)

“In her YA fiction debut, Anderson perfectly captures the harsh conformity of high-school cliques and one teen's struggle to find acceptance from her peers. Melinda's sarcastic wit, honesty, and courage make her a memorable character whose ultimate triumph will inspire and empower readers.”– Booklist (September 15, 1999)

Connections:

Read other works by Laurie Halse Anderson, such as Twisted and Prom.

Twisted has a male main character. Compare Anderson’s female protagonist in Speak with Tyler, her male protagonist in Twisted. Are they both convincing?

Invistigate different sources of help for someone who is the victim of a sexual assault.

If students were assigned Melinda’s “tree” project, what would their own personal tree look like? Students could create these with art supplies.